The Bronx Children’s Museum, founded in 2005, has served thousands of children and adults in the Bronx as a “museum without walls” through its mobile programming.  Opened December, 2022, this project is the Museum’s first home and the borough’s first cultural facility for young children, realized with the participation of political representatives and community groups.  This welcoming, optimistic, and playful space reflects and supports the mission of Bronx Children’s Museum of strengthening community and the environment.

Working closely with the Museum, O’Neill McVoy Architects transformed the raw industrial space into a topological landscape that resonates with a child's conception of space, a geometry uniquely designed from a child's perspective. 

CONCEPT

With the aim to create a 'space for imagination' the design is inspired by Jean Piaget’s Child’s Conception of Space.  Before learning Euclidean space, a child starts building relationships such as proximity and separation, order and enclosure, continuity and openness. The Museum’s design invites children to physically interact with materials and movement in space with the goal of developing awareness of their place in the environment.  The design’s spatial flow creates a new kind of space, unlike the city’s cellular rooms and street grids, that connects kids to the experience of natural landscape and the waterfront. 

SPACIAL CONFIGURATION

The Museum is entered via a ground floor double-height lobby facing the Harlem River. Once on the second-floor visitors are greeted with a tall, light-filled open space with views to the river and the City. The welcome area opens into the main exhibition space, composed of three primary areas including Early Learner, Community Arts and Natural Sciences

Designed from a child’s vantage point, the space feels open and accessible.  The movement up and through the space via ramps, delineated by partial height exhibit walls, creates focused areas of interest.  Curved wooden and translucent acrylic partitions diverge, reconnect, and spiral to creating continuity and separation between spaces.

Each successive exhibit area steps up, creating a sense of discovery for the kids. The Waterways exhibit floor is elevated to the windowsills, allowing views of the river outside; the exhibit route spirals up across a bridge to the ‘Cloud’, a performance mezzanine.

CONSTRUCTION TECHNIQUES

We explored new techniques for building curving geometry in natural materials. FSC-certified Cross Laminated Timber walls, guardrails, platforms, stairs, benches and doors are digitally fabricated with varying radii arcs to form organic spatial curves, the first use of curved CLT in the U.S.  Translucent walls and guardrails are made of recycled acrylic, softer to touch than glass. CLT panels were site-routed to structurally interlock with the acrylic.